Every lefty’s favorite Slovak philosopher looks into the WikiLeaks story and knocks it out of the park.
First he dissects The Dark Knight movie in a way that basically seconds the general thesis of my Wild West script about media and theatre:
The Joker wants to disclose the truth beneath the mask, convinced that this will destroy the social order. What shall we call him? A terrorist? The Dark Knight is effectively a new version of those classic westerns Fort Apache and The Man Who Shot Liberty Valance, which show that, in order to civilise the Wild West, the lie has to be elevated into truth: civilisation, in other words, must be grounded on a lie. The film [The Dark Knight] has been extraordinarily popular. The question is why, at this precise moment, is there this renewed need for a lie to maintain the social system?